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In an intimate biographical memoir, Kennealy describes the music scene of the '60s and '70s, never varnishing over her experiences with sex and drugs that were such a driving force in Morrison's life, and explores the translation of the Morrison myth into Oliver Stone's film. Photographs.
- Sales Rank: #409857 in Books
- Published on: 1993-09-01
- Released on: 1993-09-01
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x 1.11" w x 6.02" l,
- Binding: Paperback
- 464 pages
From Publishers Weekly
Science fiction and fantasy writer Kennealy, who married Jim Morrison in 1970, offers an overwritten but revealing account of her two-year relationship with the Doors' lead singer. Photos.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
Seekers of revelatory tales, insights, and experiences that enhance rather than obscure the Lizard King mosaic will relish this account. Kennealy, a practicing witch and author ( The Hawk's Gray Feather , LJ 3/15/90), met Morrison during her stint as editor of Jazz and Pop in 1969. Until his death in 1971, Kennealy and Morrison pursued a physically, emotionally, and spiritually intense relationship, the symbolic culmination of which was their exchange of Celtic wedding vows. Kennealy is brutally honest about everything: her witchcraft; her pregnancy by Morrison and subsequent abortion; the codependent, convoluted relationship between Morrison and Pamela Courson; Courson's significant role in Morrison's heroin-induced death; and the cinematic travesty perpetrated by Oliver Stone in his recent movie The Doors (1991). Throughout, Kennealy vents her Celtic spleen, rages, weeps, and exalts in her love for and by Morrison, while weaving a beautiful tapestry of their short but seemingly eternal spiritual bond. In the process, she illuminates Morrison the lover, poet, and artist. The recent flock of Morrison biographies and picture books are pretenders to the insights and perspectives offered here.
- Barry Miller, Austin P.L., Tex.
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
Narcissistic memoir of, mostly, a love affair with Jim Morrison. When Kennealy met the rock star in the third-to-last year of his life, they shook hands and there was a ``visible shower of bright blue sparks.'' ``What are you?'' Morrison asked. Kennealy replied that she was a witch--a Celtic high priestess (recently, Kennealy has written several Celtic-themed sword-and-sorcery sagas: The Silver Branch, 1988, etc.). Then, she says, she and Morrison were married by her Celtic coven--and, in a ``blaze of love and passion ignited,'' they consummated their union six times in two hours. Morrison (who never lived with Kennealy during their year of wedlock) is a nebulous presence here, impossible to visualize by manner or by the romance-novel speeches supplied for him, and appears mostly as a foil to the Kennealy ego--which is queen-sized. It is also imperious (``[the Woodstock crowd was] some Third World country--one with no food, pidgin speech patterns, indifferent latrine habits, even native handicrafts...if one more person says to me `Good vibes, huh?' I am going to punch him/her in the mouth''); disingenuous (despite taking acid, pot, cocaine, codeine, Valium, and numerous other drugs, Kennealy claims that she was ``not an addict''); vehement (her rival for Morrison's affections was a ``slut, a junkie, a whore, and possibly a murderess''); and bombastic (at book's end, Kennealy interviews herself ``because nobody else ever asks me the right fucking questions, okay?''). Much ado about the high priestess, not enough about the Lizard King. (Eight pages of b&w photographs--not seen.) -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
104 of 120 people found the following review helpful.
A bull in a music store
By EA Solinas
I-slept-with-a-rock-star stories are a dime a dozen in the rock bio world, and it takes something unusual to make the storyteller seem like anything but a groupie. Patricia Kennealy-Morrison has something all right, but her obnoxious attitude and sketchy details make it hard to regard "Strange Days: My Life With And Without Jim Morrison" as much more than a curiosity.
Kennealy-Morrison was a journalist/editor working for Jazz'n'Pop magazine in the late 1960s. She was sent in to interview legendary rock bad boy Jim Morrison of the Doors, and was immediately impressed by him (the feeling was mutual, she says). They soon struck up a friendship, then became lovers while remaining on opposite sides of the United States.
Morrison and Kennealy-Morrison wed in a witch handfasting some months later, despite the fact that Morrison was still with his longtime lover Pamela Courson. Kennealy-Morrison chronicles the remainder of their increasingly volatile relationship, her abortion, Morrison's mysterious death in Paris, and the production of the distorted movie adaptation by Oliver Stone.
Never has so much been written over so little. Not very often, anyway. Morrison's brief involvement with Kennealy-Morrison is blown up into an affair to rival Guinevere and Lancelot (her own comparison). What an unbiased reader sees is a rather average rock romance, full of the necessary sex, drugs and rock'n'roll. And lots and lots of Kennealy-Morrison's everyday life.
Kennealy-Morrison has a curiously self-centered view of the world: whenever anybody is less than friendly to her, they must be upset over her gender, brains, religion or relationship with Morrison. Her attitude (a bull getting ready to charge at a matador) wears thin quickly. She heaps scorn on almost all rock'n'roll stars, on any girl who slept (or wanted to) with Jim, on any friend of Pamela Courson's, on Doors fans, on rock audiences... pretty much everybody. Special vitriol is reserved for Pam; rather than take Morrison to task for his behavior, Kennealy-Morrison vents on the pleasant, clueless Courson.
While Kennealy-Morrison is clearly knowledgeable, she seems to use her IQ solely to set herself above the groupies. She lacks the class, wisdom and vibrance of other rock paramours like Marianne Faithfull. If this book is anything to go by, her intellect is stagnant and unsophisticated, and her personality is childish (she beats a groupie for coming on to Jim). In fact, her claims that she's a strong, decisive, take-no-guff woman becomes funny when you see that she was allowing a ridiculous amount of garbage from Morrison. There's no denying that Kennealy-Morrison is a talented writer. At times her lyrical, detailed writing makes this seem almost like a novel. It's especially vibrant during scenes like Doors concerts and the famous Woodstock. But too often her words are used as arrows rather than paintbrushes.
"Strange Days: My Life With And Without Jim Morrison" is a weird read. In the end, it's hard to see it as anything but Kennealy-Morrison's side of the story, but without any wisdom brought by time and thought. This is not the place to look for the "real" Jim Morrison.
87 of 101 people found the following review helpful.
Asinine
By Willie W.
This woman is belligerent, obnoxious, delusional, angry, over-bearing, and a self proffesed know-it-all. If Morrison spent even half the time with her that she alleges, he must have been a very patient and tolerant individual. Or comatosed on booze. I read a third of the book and had to toss it because I couldn't tolerate her. She is so bitter, angry, and pushy, that she strikes me as one who would have been a consummate nag.
I have a suspicion that in reality she was just one of hundreds of convenient pit stops Morrison made while drunk. I also am left with the strong feeling that she knows this to be the case hence her flitting between love and deep rage toward this man. Unlike his other pit-stops, she can't let it go for some odd reasoning that only she knows. For some reason she seems obsessed with convincing the world that she has laid claim to the guy and nobody else should even have the right to mention his name.
She has a deep rage toward anybody who is not a Morrison fan. But she off-sets that by also having a deep rage toward anybody who is a Morrison fan. So in essence she has a deep rage toward everybody.
She seems to be jealously guarding this image of Morrison that exists only her mind. Hence her hatred for Doors fans. As for her referring to 'Doorzoids' as 'losers' that's ridiculous, coming from a woman who is obssesed and jealous of a relationship between a man and a woman who have been been dead for alomost 40 years. If anybody needs to get a life it is Miss Kennealy who does.
This woman is obviously not the person whom she is trying to convince the world that she is.... She's more like a nightmare run amuk.
47 of 53 people found the following review helpful.
A Sad, Obsessed Woman Who Took An Affair Too Far!
By Lisa J. Johnson
I don't even know where to begin. I read an awful lot of Morrison books and most of them are open, honest and well written. There is no doubt in my mind that he had an affair with Patricia (as he did with many, many other women) but she is clearly an obsessed, disturbed stalker. If you look at the crazy website of hers, you yourself with see the hatred she has towards anyone who even doubts her! She calls people low-life Doorzoids (in both the book & her website), Pamheads and many other nasty names. Like she is now in competition with his fans also. This lady has the nerve to interview herself at the end calling Pamela (Jim's longtime real 'cosmic mate') a slut, junkie, prostitute and murder. How sick is that! She also belittles Oliver Stone (for his movie 'The Doors') while she actually has a cameo role in it. Basically, she puts down anyone and everyone who loves Jim or who is smart and logical enough to realize Pam was his true love! You don't need a mensa member (which she supposedly is) to figure out who the true love of Jim's life is (and it certainly wasn't this freak). If you want the truth behind his loves; read Patricia Butler's, Angels Dance & Angels Die or another sweet book by Judy Hudleston called This Is The End; Living & Dying With Jim Morrison. They both show honest accounts about women involved in his life. Patricia Keneally is obviously a hateful woman who never had the sweetness or beauty of Pamela (or any other woman of Jim's) and therefore she is clearly obsessed and out to get even with the world. THIS BOOK DOES NOT EVEN DESERVE ONE STAR!!!
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